Netflix's Umbrella Academy is not a super fusion of X-Men
and Watchmen
Before we get into HBO's "Watchmen" remake and
look at the stories of young mutants with the next "X-Men" movie,
Netflix offers its own combination of superhero features: "The Umbrella
Academy." Written by Gerard Way and adapted from Dark Horse Comics by Gabriel
Bay, this new series follows siblings with special powers and guides them to
evaluate their lives and relationships outside the world of crime combat.
Forced. But the intrigue that arises through this premise is defeated not only
by its slowness (in ten, one hour episodes), but also by the surface and
juvenile approach of the story: it never lowers the edge or apparently calms
down. Wants to be .
Produced by Jeremy Slater, "The Umbrella Academy"
follows seven special children born on the same day after their mothers
suddenly became pregnant. They were all adopted by billionaire Sir Reginald
Hargreaves (Column Four), who turned them into a family of crime-fighting
warriors, each with super abilities over time. Diego (David Cataneda) is a
boomerang who can throw swords like Luther (Tom Hopper), whose extra thick body
is covered with a coat, not only of the muscles, but of Allison (Amy
Rover-Lampman) who can brainwash people. In her words, the class (Robert
Sheehan) who can see dead people and even stay away from rehab, and now dead
Ben, sucks the murderous squid from inside his body. Has the ability to get
out. The group's most intelligent, time-traveling Dr. Manhattan is played by
Aidan Gallagher, who is not named like his siblings and is only known as number
five. But unlike his siblings, he still looks like a pretense, one of a
thousand details describing "The Umbrella Academy" before finally
moving on to the next offbeat details. But the group’s standout is Ellen Page’s
wild, he has no energy. However, she can play the violin and tell the family
saga of her childhood — all written in the book, which created bad blood with
her siblings.
At the beginning of "The Umbrella Academy", the
family split up and scattered - Luther was on the moon, Allison was a movie
star, Klaus was in rehab. But Hargreaves' mysterious journey brings them back
to the same gothic building for the first time in many years, having to hold on
to each other and their anger towards their cold, distant father. As for the
whole storyline of the story, "The Umbrella Academy" has problems to
solve not only for the past and present, but also for the future — the
Apocalypse is coming in eight days, as number five has discovered, and only
they can stop it.
If a superhero story is interesting only by its villain,
"The Umbrella Academy" is in great danger: it spins when our heroes
pass something, and beyond that fails to create the urgent need for its
extensive running time. live. The story focuses on his internal battles with
him and his siblings, not all of which are inevitable, even if the series
remains at its heart. The screenplay seeks to mirror Funhouse's true sense of
family drama, but the world and the tone of "The Umbrella Academy"
aren't enough.
Experiencing the outlandish imbalance might not be much fun:
In the first episode it seems that Revelation Racing's Revelation follows the
"Umbrella Academy" superhero trend and focuses on story number five,
without changing them. Efforts are on to find out who is behind the
devastation. On a smaller scale, the family members are not shown fighting
crime in their current lives, but Cameron fights two villains, Hazel and Cha
Cha, played by Britain and Mary J. The next pair is a Tarantino-esque hitman
with a mysterious boss, and they feel like they appear on screen when the focus
is on their next job or their friendship. Coinciding with the lighter films of
"The Umbrella Academy", these characters are often used to provoke
stylized action sequences, wearing goofy masks, and wielding guns while keeping
the show entertained. I call Mary J "The Umbrella Academy." It's nice
to slowly move from the donut shop to the bliss explosion, but it's a quick
moment, and it's coming to the eighth stage.
The greatest enemy of "Umbrella Academy" fails in its ambitions to deal with all of these characters, their relationships, and their secrets. Vanya's romantic interest Leonard and other characters like a couple cops get in the way of everyone played by John McGarro. Oh well, then there's the statement. This hectic nature initially causes a slow start because its pilot gives us a way to express our sadness sadly, but then it creates the opposite effect of the second and third phases, and the series slowly and intensely. moves.
With these characters and their backgrounds, the series
often tells a story that tries to build momentum from standard cliffhangers and
is generally informative, if not exhausting (no. The third of the previous
stage may have done so). , otherwise professional duties). Like a scene where
Klaus feels very traumatic on the bus around the fifth episode, there are
moments when even this disturbing character stuns the actors - but we don't
know how he reacts - to the thief. Mary playing in the gloomy spiritual
background "as she grows up we can only see her squeezing our eyes, simple
landscape as we have to engage. In a larger sense, it sucks the lives of great
geniuses like Ellen Page Taxes, who spends much of the series revealing too
early, and his performance becomes a big cloud unless given more time to
collaborate.
With the sketchbook obsession of a young man, "The
Umbrella Academy" has a high fantasy for building the world and its
citizens, struggling to mix science fiction with gothic product design and
personal school attire (No. Five is always in his academy uniform). But that
doesn't lead to an unforgettable collectible style, which places more emphasis
on creating inspiration for a show that isn't original. The framing of the
camera is often used to intensify dialogue-driven shots with high and low
angles, which seem like it came from an artistic purpose, and more like a
misconception in understanding the visual story.
Since "The Umbrella Academy" is the comedy co-producer of My Chemical Romance's lead singer and Gerard Way executive produced, you'd expect limited quality from its music. The current score was played with the clear presence of a laughing path, and its soundtrack was so intense it was filled with familiar needle drops – Queens arranges an incredible shootout at a department store "While I Feel We're Alone Now" Have" dance moments like Tiffany Sounds. Evan Radiohead's "Exit Music" sounds so much more ho-hum than that. Perhaps the show's younger viewers would notice the cuts, and they may have created some Radiohead fans, but they were completely removed within "The Umbrella Academy". Their appearance is similar to the themes and visuals that mark "The Umbrella Academy" - they can be very impressive if you haven't experienced them many times before.
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